DerDRAKOS
DerDRAKOS are:Alex Drakos and S.J.Drakos:Music,Lyrics,Vocals,Production - Featuring Suzy M.G.:Vocals,Graphic Arts come from Czech Republic music styl are:Electronica Industrial Techno Laced with speed metal riff-loops and stabbing Cyber-punk synth lines:Pure hell from Europe" Alex Dakos and S.J.Drakos,DerDRAKOS Music. "One of the most exciting 'new bands' I discovered this year, and definitely one of the most original ones too: DerDRAKOS mix techno beats with metal guitars and a Satanic attitude. Ready to blast? Get this one! Absolute insane industrial techno! Scored 97 / 100 on the page!" INDUSTRIALIZED METAL GET DerDRAKOS "LUST FOR CHAOS" CD FROM: www.DerDRAKOS.net. GET DerDRAKOS "LUST FOR CHAOS" CD FROM CDBABY: http://cdbaby.com/cd/derdrakos. DOWNLOAD DerDRAKOS "LUST FOR CHAOS"
Dreadfool
dreadfool produces a powerful music with metal and nervous rhythms, combining electro beats and indus sounds.The texts treat of subject like the cloning (replication 47),the enquiry, the concentration camps (battle dammage),sex (pure lOVE,Turn off the light)... sung in English or French.dreadfool was born on ashes from another project named "Treuga Dei" which was composed of two members: T.O.F. and BenoÓt Buyse. Dissensions appeared rather quickly and decision was made to give up this project.Then BenoÓt decided to continue alone under the name of "ash" first of all, "dreadfool" then. A first demo was quickly out, a second one year later, named "Infected" with titles like´†Doom†ª and ´†Never will I leave this road†ª.It had to be waited five years for a Cd of nine titles be out. It was "Battle dammage" in 2001.Collaborations with other projects have each time deferred the output of this Cd. In 1999 F.G. joined to the project for a concert at ´†Le Botanique†ª to Brussels.Since 2003, dreadfool joined to Eric Jacques of "B‚tard prod" to accompanied the concerts with videos.Combined with the percussion images of "B‚tard Prod.", the concerts release power and energy in a show in which no one does leave unscathed.In October 2004 "Silent scream" the second album and in August 2006 the third one, "Blind and Dumb", which comprises 12 titles cd and a dvd with 4 B‚tard Prod ‘s original vidÈos.Dreadfool occurred, amongst other things, on several occasions at ´†Le Botanique†ª to Brussels, the ESN festival in Tournai, in Luxembourg, at "L’EntrepÙt" in Arlon, at "La Zone" in LiËge... with groups like Psychobitch, Pressure Control, Dolls of Pain or Void Kampf
Darkland Experiment
Darkland Experiment is a colaboration of two amazing talents. The Reverend Tommy Sinn has been in the underground industrial scene since the early 90's. He started out as a member of Goth/industrial band Bamboo Crisis. He then went on to help found the shock rock band Bozo Porno Circus. If that wasn't enough he also co founded one of the heaviest industrial bands of all time. Dethkultur BBQ was formed when the Rev. and long time friend Mike BBQ decided there waas something missing in the synth driven world of Industrial music. They added guitars, and it was good. Putting in a good 10yrs with Dkbbq The Rev. decided to leave the world of music, and moved to the mountains of Colorado. There by chance he came upon a hot young hip hop producer by the name of Twist Jackson. Twist was a genius in the programming game. He was talented at not only putting songs together, but also making the music sound more live. In the world of programming music that is very hard to do. Most synthetic music sounds over produced, and robotic. Twist found a way around that, and with the Rev's originality, and haunting lyrics they have created something worth listening to
Death under siege
Death under siege is a Swedish one man assignment by Daniel Ahlström since 1997 when first track were recorded though not released or namned. Sound was poor but melodies strong so thats why a refreshment came up as an idea in early 2006 to put those melodies into work again into a demo with fresh sound and with more upbeat tempo. Mainly all new material is released directly at www.myspace.com/deathundersiege. The music is harsh EBM with militant influences.
Devoted Symbols
Most of the songs have no meaning in the political sence; some do.Some are about hate ,love and sex ;some against the media-overkill and sell-out of all these emotions that make us a living breathing (human) being.The name of the band comes from the common fact that symbols have always played a big role in the existence of mankind. From the religious symmetrics to the logo on your favorite sportshoes. They give meaning and identification to those who desperately seek it, need it.But in a way ,it's just a name and nothing more. Some day our logo may be devoted as well by hurdes of fans; and then - as they say - the circle is complete, the irony has settled and we can all go home ; 'a job well done'.We compose our music mostly with electronic instruments without a cold technological approach. There always has to be some "dirt in the speakers".Visuals also play a big role in our stage acts and in any publication of DS;without overshadowing our main asset
davaNtage:
In the middle of the 90's Kay Härtel starts to do some experimental industrial music for his projekt Supreme Court. In october 1996 Mario Fritzsche joined the band, to give the sounds some words. The first songs with vocals were created from that point. Early in 1997 Björn Neumann completed the band and davaNtage was born. Then the band became main focus of interest. First live gigs and with them the tape "T01/08/97" gave the band a good start. The selfproduced debut-cd "Mental Destruction" followed after the second tape "Further Progress" and more or less successful gigs. In october 2000 the first professional studio album "Broken Influences" was released in cooperation with Black Rain. Many positive feedbacks made it possible that davaNtage had their first professional live shows for example at the Wave Gothic Festival in Leipzig and davaNtage presented the new "Virus:Hate:EP" in 2001. On that release Gunnar Bock and Melanie Güntzschel joined the dNt Team the first time. Gunnar wrote lyrics together with Mario and Melanie gave vocals to a The Cure’s coverversion of "Cold". In the years of 01/02 davaNtage worked on their next album "Global Badlands", that was released in summer 2002. At that time Björn quits the band to do his own music realized in his project "Monte Christo". Later that time René Müller came in addition with Kay and Mario and the band were threesome again. In the meantime Kay and René were busy by doing different remixes for other bands. Gunner and Mario worked on by writing new lyrics for the following releases of davaNtage and Future Trail since 2002. Furthermore René and Mario focussed at their projekt "Future Trail" with the singer Melanie.(debut cd “Big Sky Horizon” rel.date 06/2004) In May 2004 the next davaNtage E.P. "Unholy" and the last one with singer Kay came on. Kay left the band in 2004. davaNtage could win the ex- Feindflug member Beam as the new singer/guestsinger. In the next year in april 2005 the "Split and Shatter" album was ready for release but because of "tribal factionalism" and external interferences the release date decelerated for nearly one year.From now on the music is in focus again and we are curious about the future. Our latest release "Split and Shatter/Conference E.P."(05/2006) is available all over the world and the feedbacks are just positive.We too are happy to present our own label- and merchandiseportal “Rupal Records”. In march 2007 we plan to release our first Label Compilation "The Vital Terms Of Rupal Records" and davaNtage will be there with new material on it! So stay tuned & many thanks to all of our fans!
DyNAbyte
DyNAbyte was formed back in 1998 by the three original members, Giallo (voice) LJ Dusk (guitar) and John (bass), survivors of the split of an underground hard rock band, which wanted to give music another appearance with the help of technology. The aim was to create a perfect mix between computer and man, playing a kind of music that is the result of carrying techno loops supported by powerful guitar riffs and claustrophobic-melodic lyrics.The name DyNAbyte is the sum of the words dynamite (which indicate something powerful), dna (which indicate human) and byte (which indicate computer).The band began with playing some cover from Rammstein, Marilyn Manson and others, but soon DyNAbyte created its own music and in 1999 the first demo-cd was released. the songs were clearly inspirited by Fear Factory “Remanufacture” album.In 2000 the new songs were ready and the original sound rise out in tracks like “No mercy” or “I’ll rise”. The band wrote also a song titled “DyNAbyte” which is a tribute to itself and to the band that most influenced them, Fear Factory.The band played some concerts in Genoa’s area (Italy) and the response of the audition was very good. The track “DyNAbyte” became soon a hymn and everybody was singing it. The concerts are characterized by loud volume, red lights and stroboscopic effects.In november 2001 Giallo left DyNAbyte, in order to follow his artistic career with the band Pornoshock.At the end of November the new singer was identified in Cadaveria, probably the most famous female metal voice in the world wide underground, who is above all a friend of John and LJ Dusk and who is particularly interested in experimenting new ways of making music.Soon they recorded a four track demo-cd in order to find a label interested in signing them. The feedback was very good and a lot of fans enjoyed Cadaveria's style.In 2003 DyNAbyte signed an agreement with Nocturnal Music (now Rotten Inc.) and they began working on the debut album, which has been recorded by John and LJ Dusk at DyNAbyte studio and at Capt. Woofer studio Italy). The recording sessions ended in November 2003 and the two musicians worked on the mastering until January 2004. The release date for the debut album, titled “extreme mental piercing”, is september 2004. At the begin of 2005 they signed with CD-Maximum for the Russian release of the album while releasing their video clip “I’m my enemy”
Dexconium
1966-2006, a review from Martin S. (Nickname ''Barmherziger'') 1966 Constantly,while listening to music,did pull-ups at my parents' musicbox.Pampers full most of the time.1970 At the Mescheder Hennesee lake: Realized with astonishment my girlfriend Marion had no Penis!! 25.12.1975 Very happy about first tape recorder for Christmas. Favourite transmission in the seventies was ''Radiothek'' on WDR2.1980-1982 Learned playing guitar (private lessons). The teachers' choice of songs pissed me off.1982-1983 ''Dark'' music became the only thing I would listen to.1982: Simple Minds, Killing Joke... Since 1983 BAUHAUS, since 1984 Sisters Of Mercy,since 1985 Clan Of Xymox, Front242, Nitzer Ebb, The Neon Judgement, Cassandra Complex and many others.1985 Bought my first Synth.1985-1988 'The Trash Experience''.the usual wild shouting to the sound of the CZ-Synthesizers. The CZ5000 which I had bought additionally to the ''CZ101'' in the year 1987 had an 8-Line-Sequenzer, the noise then furthermore became accompanied by a distorted guitar and a drumcomputer. You can listen to the ''Trash Experience'' by Mp3.de, there however I had kept a secret my songs as ''The Trash Experience'' are altogether from the 80's. Trash Experience was irregularly supported by Frank Mueller (my neighbour at that time). We killed ourselves laughing at the noise -nothing was really serious at that time. We rather celebrated in the "Sector" (Meschede, Germany) or in the "Cult" (Werl, Germany) at the weekends. At the beginning of the 90's Frank turned over to Techno music. Today he is well-known as ''Beroshima'', has a Techno-label in Berlin and tours worldwide as well-paid DJ with large successes in Japan and Brazil.1989 Needed money (German Army) Selled Synthesizer.2003 (- 2006) Dj at Ultra-Dark-Radio.com 2004 First musical attempts on my PC - soon cutted frustratedly and paused for over one year Swept off the dust from my guitar and thereby recognized how bad my guitarplaying had become. Vocals in the song ''Am See'' (music Kostja).2005 Bought a CZ5000 - Synthesizer at Ebay (same type as my first one from the eighties). As well renewed musical attempts on my PC.Results were however only short musical fragments.Since February 2006:'ActXerience'' 2006 Went over to Radio Subway.de as radio-DJ. Since September 2006:''DeXconium'' DeXconium has more of this violent substance which could also be heard in my early musical excesses, yes.. it is as well nearer to Trash Experience,but still quite different.I shortly thought of killing ''Actxerience'' for continuing only as Dexconium.but then at last decided to let both projects exist - however, I wouldn't necessarily need to compose new songs every month for both projects.Future:To produce at least 10-15 new Songs every year? and 10 longplayers in the next 10 years?
Dark Noize Allianz
“Dark Noize Allianz" is a Project of two men from Germany (Berlin and Freudenstadt).The project was started officially in 2002.Befor we started the project “Dark Noize Allianz” ,we made sounds that took influence to “Dark Noize Allianz”.The first officially release was a video clip of 30 minutes,that was shown succesfully On OKB-TV ( “United Network Production”).During this time ,we made two further Videos ( Part 2 and Part 3 ).Of course we release “Anti Commercial CD´s” for Underground Freaks,who like this music.Privileged our sound is played in real Underground Clubs and is consumed there( Air-raid shelter and cellar-labyrinths ).For the futur are planned Little life acts.The music is made exclusively of digital basis with a “Tracker”- Software.The samples for it are made by oursrelves.
Discography:
Video Nr. 1 : Zerstörungskunst ( Art of Destruction )
Video Nr. 2 : Großstadtwahn ( Madness of the City )
Video Nr. 3: Die blutige Stadt ( The bloody City )
All videos have the heading “Psychopatenalarm” and were shown on TV.
CD Nr. 1 : Dark Frequenzen ( Dark Frequence )
CD Nr. 2 : Verfleischung ( If the soul becomes meat )
CD Nr .3 : Auslebung ( Free living ) Every year we offer a new CD. The next CD:
CD Nr. 4: Freidhofswalzen ( Roller of cemetary ).
Dvation
Since already end of the eighties Sven Kindling and Thomas Winters know themselves privately by common enterprises within the black scene, at that time Sven was active quite musically. After one lost himself short time out of sight, one met in 2000 again and in both grew the wish to move her feelings and thoughts musically. Inspires from old stage dimensions like Skinny Puppy, Frontline Assembly, The Klinic, but also of topical tape like Wumpscut, Hocico and Suicide Commando one founded (the curse of) deprivation. Textually one argued with the abysses of the human soul and their concomitants.In 2001 Maxi Single "ABATTOIR" was finished the first Mini-Ep "CHORDEVA" and in the connection in own direction, in 2002 appeared publications on the Internet pages mp3.de and track4.de, the first contribution on the electric sampler "4004" followed.In 2003 the works began to the album "TOXIC", during that a change of course stood out to more harsh sound structures umd more experimental joy. Therefore Sven and Tom, the old tape names (the curse of) deprivation resolved in DVATION to change, as it were one gave himself the pseudonyms "Para" (Sven) and "Noid" (Tom). The album was finished and took part in the Sonic Seducer " Battle of Bands ".In 2004 followed other contributions on the refractor magazine and on the Astan magazine Sampler, various pieces of the album "Toxic" came for her first club application.In 2006 followed next album "metamorphose" what walked an other one forwards signified. Para/Noid work constantly in new material.
You find Dvation on:
Thanatos
Extreme Sündenfall 1
Electro Steel Corp. Vol 1
Lost in darkness Vol 3
Darkmen
Darkmen is:Franky D (music & lyrics) Kevin P (synth & samples)Thomas V (synth & artwork) HISTORY:Franky D,age 32 is the musical brain behind Darkmen.At the age of 14,his intrest for electronic music grew stonger and stronger.His biggest influences were Depeche Mode, Acid & New Beat,Front242,EBM,These bands are still a big influence for the Darkmen sound.In '88 he started experimenting with cheap synths and drummachines (like the Casio SK5,Boss dr550,)Together with Thomas,he created his first demo tapes as The Belgian Beat Coörporation.A few years later,after earning some money new synths were bought (and others sold..)To list a few machines:Roland mc202,Tr808,Tr727&707,juno1,Akai MPC2000,Korg Dss1,Poly800,Electribe's,Yamaha Rm1x,Tx81z,Rx5,Boss Dr55,Dr110,By '96 he did a few live gigs as Analogue Fields (again a musical collaboration with Thomas):a Trance/Techno style experiment.In 2000,Franky and Kevin met each other at work an realized they had a common passion for EBM. Both being DJ's they played a couple sets together and decided to make some own tracks.Franky learned Kevin the basicsand a few months later the first "Bodytechno" tracks were born.Meanwhile,Franky was writing music which was more inspired by the old school EBM sounds.In 2005 Darkmen was born! Franky composes the music and takes care of the singing, Thomas plays the synths and Kevin takes care of the sampling.
Dawn of ashes
Terror/Horror Ebm from Los angeles.KHRIS:-(VOCALS/ PRODUCER/ PROGRAMMING/ SYNTHS) JOEY [TEKK](SYNTH/LIVE SYNTHS/ ENGINEERING) [BAHEMOTH] -(LIVE SYNTHS/ ENGINEERING) Constructing electronic driving noize, tearing a new era into the ebm scene. Dawn of ashes was formed in 2001 with constant progression and changes . based on a wide form of hatred/defacement of religion and fatal violence, Dawn of ashes brings pure aggression and anger into the music as well as there live preformance.After releasing the fist demo entitled "Sacred fever" They finally joined the NoiTekk family and recently joined the USA label COP International. Dawn of ashes is the new and rising Terror-ebm act so be prepared for the darkness that will be released. .."There is no greater hell than to be a prisoner of fear." Johnson, Ben and his album "IN THE ACTS OF VIOLENCE"
Diskonnekted
Diskonnekted is the Belgian dance project of Jan Dewulf by which he tries to combine progressive techno tunes with a broad spectrum of alternative dance styles ranging from EBM and big beats to trance and tech-edged breaks.In the mid 90's JD started making music. With Mildreda (his first project) he produced a typical Belgian EBM-sound that was often compared with The Klinik.Mildreda featured on some compilations (e.g. the first two Voltage compilations compiled by Johan Van Roy) and did several gigs as support for, among others, Plastic Noise Experience, Covenant and VNV Nation. Due to an evolution of his personal taste and a remarkable change of dance music in general, JD lost his interest in continuing the Mildreda project. He remained active though: he produced other bands and joined some of them on stage.In this particular period, the idea grew of doing something new. By entering the new millenium, Diskonnekted was founded. As a natural offshoot of his former projects, Diskonnekted combines electro-influences with new kinds of dance music such as progressive techno, to name but one.The result is a fresh combination of elements heading for the dancefloor. Male vocals by the likes of Fluke sharpen the edges of the songs.All these spicy ingredients give Diskonnekted a special place in the Belgian dance-scene, where the alternative dance music is rooted after all.It took some time before Dying Culture released the album, but in November 2003 Diskonnekted finally had its first album out! The debut is called “Jesus raves” and combines JD’s electro-roots with his fresh interest in modern dance music. Receiving nice reviews from everywhere, it seems the story is only about to begin.In 2005 Diskonnekted joined Alfa Matrix for the release of his 2nd album entitled “Neon Night” in Summer 2005, and its preceding “After Einstein” EP.In 2006 Diskonnekted teamed up with Dive and they release the Frozen EP together
Decoded Feedback
MarcoBiagiotti-vox,lyrics,samples,sequences,arrangement,basses and
drums.Yone Dudas-keyboards,sequences,arrangement,samples, basses,drums and lyrics.Decoded Feedback burst on to the industrial scene in the mid 1990s with the highly acclaimed self-titled demo tape Decoded Feedback. This creative duo brought together all the elements and contrasts that exist between the sexes, and at the same time using their diverse backgrounds, European and Canadian, to successfully create their own unique sound. This proved to be a powerful combination. After an amazing review in Belgium’s Side-Line magazine, Decoded Feedback was picked up immediately by one of Europe’s leading industrial labels, Hard Records.1996 marked the year of their first CD release entitled Overdosing. The quality and power of Overdosing opened more doors for Decoded Feedback, capturing the attention of not just the industrial community, but also of Europe's leading electro label, Zoth Ommog, who arranged to release the band's second CD Technophoby in 1997. This CD later came to the attention of America's leading industrial label, Metropolis Records, who soon after became Decoded Feedback’s official North American label.The band’s third CD Bio-Vital was released in 1998 and instantly hit the German Alternative Charts (DAC). Decoded Feedback was also voted one of the best groups on Zoth Ommog.EVOLution marked their fourth release and demonstrated their growth and established position in the electronic community. This CD brought together a perfect mix of Industrial and EBM, pulling you in and enveloping you into the interwoven dance floor textures and symphonic melodies.In 2000, Decoded Feedback signed to the up and coming German label, Bloodline. Reflect in Silence was Marco and Yone’s first single which was released in Sept 2000 to critical acclaim. The full length CD Mechanical Horizon was released soon after. This CD pulled together all of the elements that had now become the famous Decoded Feedback sound, but added some new touches. More elaborate sequences, less distorted vocals, richer soundscapes. It perfectly demonstrated the versatility of this Italian/Canadian band.2001 was the year of touring, festivals and studio production. In April, they headlined a European tour with Noisex, Sonar and Re/Work. In August they participated in their first European festival, Eurorock 2001.2002 was a year dedicated to hard work in the Defcode Lab studio preparing for their next release.2003 marked the year of a powerful return to their roots and a change in European record companies. DF is now signed to Out of Line. Phoenix and Shockwave show a return to a harder, more minimalist sound. Very edgy and powerful, reminiscent of Technophoby and Bio-Vital. Phoenix and Shockwave were so well received that Decoded Feedback embarked on a full European tour with Haujobb in May/June 2003.On May 5th, Shockwave hit the DAC (Deutsche Alternative Charts) at number 4. Shockwave stayed on the DAC charts for 7 weeks. It entered the charts at number 4 and stayed in the top 3 positions, along with Marilyn Manson and Linkin Park, for 6 weeks reaching number 1 on week 22. Shockwave had the honour of being voted #3 Top International Album of 2003 on the DAC.2004 proved to be a very productive and exciting year. Decoded Feedback embarked on yet another European tour in February/March, this time with support group God Module. The huge success of this tour brought Decoded Feedback to the attention of Europe’s biggest festival M’era Luna in Germany, where they played in August. To round up this very successful year, Decoded Feedback was invited to play an exclusive show in Mexico City at the renowned DadaX club.2005 has been an extremely productive and exciting year so far. Combustion was released worldwide in September to rave reviews. Decoded Feedback were a huge hit at 2 major festivals: Infest 2005 (UK) and Blacksun Festival (USA). They will wrap up this exciting year co-headlining the Out of Line festival tour in Germany in November with Blutengel.A full European and North American tour are planned for spring 2006.
Doomsday Virus
though currently based out of albany, doomsday virus was first conceived in the basement of a rat-infested buffalo, ny apartment building during the spring of 1998. what was intended to be n.dru's solo project was put on hold time and time again as he lent his assistance to several other buffalo area bands, most notably the now-defunct goth/industrial outfit known as "twilights mistress". it wasn't until he relocated to albany in the winter of 2001 that the gears really started to turn.n.dru spent the next several months writing, recording and piecing together scraps of old material that had never had a chance to be completed before. along the way he met up with another local electronic musician named m@rk, who offered to help with the mixing and production side of things. finally, after nearly two years of working together on the project, the pair released the first official doomsday virus demo "the cries of all things left unsaid" on friday, june 13th, 2003.being the first cd either of them had worked on exclusively from start to finish, the work was primative at best but was a step in the right direction. copies of the 10-song cd made their way around, gaining attention for the band and laying the foundation for things to come.n.dru wasted little time in the months after the release of "cries" and set up shop in a new studio where he began furiously working away on new material. it was during this time that he was introduced to an old acquaintance of m@rk's from high school, a guitar player named jøhn. after a quick audition it was clear that jøhn was more than capable of picking up all neccessary guitar duties for the band and was immediately thrown in to the song writing process.a year into writing material for a "new album" it became apparent that a not-so-subtle sub-theme was rearing it's head in the subject matter of the songs being recorded. influenced by the state of world affairs, the band had a handful of politically slanted "protest songs" that really didn't seem to fit in with the rest of the new material.rather than tossing them all aside in favor of completing the album more quickly, the band decided to take a time-out from writing in order to put together a one off, limited-edition e.p. entitled "fallout".released in october 2004, approximately one month before the u.s. presidential election, the 6 tracks comprising "fallout" conveyed an atmosphere of protest and dissent, as well as subtle introspection into the american way of life and it's place in history. and while the e.p. itself was originally little more than afterthought, it garnered far more recognition than the band ever expected.thanks in part to the internet, through such sites as soundclick, myspace, and download.com, doomsday virus was now receiving requests for interviews, shows, and copies of "fallout" from fans as far away as the netherlands, south africa and malaysia. the tracks began popping up on club and radio playlists, and even some hatemail had finally started rolling in. the band was ecstatic.even as "fallout" was being released n.dru and jøhn remained in the studio working towards their original goal of releasing a full-length album. new songs were written and by the time the new year has arrived, they were ready for mixing.by this time m@rk had re-dedicated himself to a new cause, founding the industrial/ebm/goth label "static sky records". though he wanted to continue working with the band, the pace at which his new business was taking off was simply too much.instead n.dru was forced to take the reigns and mix the cd himself, which he did in agonizing detail. kicking things up yet another notch the band enlisted the aid of imperative reaction frontman, ted phelps, for the mastering of the cd. after months of grueling work, the 12 song monster "catastrophic error" was finally ready to be released.
Disekt
Disekt combines the talents of Ashe Ruppe (Submarine Fleet, Trance to the Sun (live), The Elysium Facade, Nocturne pdx etc.) and JM (formerly of COP International's Carphax Files and currently D.x.). Disekt creates seething dark electronic music with an edge, combining dark atmospheres and harsh breathy vocals paired with driving percussion. All of these elements combined make for a unique sound which is entrancing on CD and boils over live.Disekt began in 2003 when Ashe and JM met while buying gear from each other. Ashe was in the process of recording an original track for an Einstürzende Neubauten supporters CD under the name of his dark ambient project The Elysium Facade. After talking for hours about former band experiences and musical influences it was immediately decided that a collaboration take place. JM collaborated with Ashe on the track and Disekt was born.The bands first collaboration was released in Berlin and came off so well that both Ashe and JM had no doubts that their combination was the perfect chemistry. After collaborating for a year with JM on the east coast and Ashe on the west coast a huge catalogue of studio roughs had begun to accumulate. In March of 2005 JM moved back to Portland and the two began working together in the same studio once again and the band was finally going full force.At the first of August 2005 Disekt made available two tracks. This marked the true birth of the band and unveiled the unique style which is their music. Within a matter of weeks the band was getting radio and club play in Germany, England and The U.S. and a loyal fanbase had already begun.Disekt is currently working on their first full length release and DVD video compilation
