Concrete/Rage
Concrete/Rage is the One-Man-Project of Benjamin Sohns (Voice and Electronics). Founded in November 2005 in Simmern/Rhineland-Palatinate, Germany, Concrete/Rage is working on dark,electronic music. Inspiration comes from the EBM-Electro-Industrial-Futurepop-Scene (first contact with this kind of music in 1997). In 2005 Benjamin Sohns started to create his own idea of electronic music. In November 2006, one of the first Concrete/Rage-songs ("World Destruxxion Unit") was played at german "Radio-Electrowahn.org". In 2007, Benjamin Sohns finished his first Remix (for Brazil-Electro-Act "Deadjump"). Concrete/Rage is working on new material at present. The first Promo-CD will follow soon.www.myspace.com/concreterage
Cyanide Regime
Cyanide Regime is the joint effort of American Natalie G, Christine S. and Colombian Fernando S out of Miami,Florida.They have experimented with electronic music for several years,but their project decided to become more serious since mid 2004 after visiting Leipzig for Wave Gotik Treffen.Cyanide Regime `s objective is the creation of dance-oriented tracks on the vein of the new Dark Electro Industrial.Their music,lyrics and concept depict the members`interest with geopolitics,religion,and current events even though their thematic does not limit to those issues.their stage persona is filled with brutal enery and in-your-face attituded.late 2004 and early 2005 was a period of musical and technical growth,but in winter of 2005,Cyanide Regime decide to take over the stages of South Florida catching the attention of local promoters.their presence on stage earned them the honor to open for Combichrist in Dec.2005.Later on in 2006,Das Bunker from L.A.approached Cyanide Regime via Myspace,and they offered a possibility to participate in their new compilation "fear of a distorted planet".After evaluating a couple of tracks,the song rosarium was included in the product,and surprisingly for the members of Cyanide Regime ,rosarium was the first track on the disc.In July,Ronan Harris of VNV.Nation visited South Florida staging a guest DJ spot at the local venue vamp.During this event,Cyanide Regime joined forces with infacted`s Retractor having the two electro acts perform live that night.During fall 2006,the noise project Terrorfakt visited West Palm Beach,and Cyanide Regime was invited to open the show.Also,during the same time,the track sick from hunger was exclusively prepared for the upcoming BLC`s "interbreeding IX :KURU" due to be released at the end of 2006.in October,Cyanide Regime went back to the studio and concentrated in getting theire demo ready to pursue interest from the leading label of the scene,and as for now,their history is still being written...
Collapse Project
Collapse Project a Electro / Experimental / Ambient project from Bavaria Germany Collapse Project are: Klaus Hoermann began at the age of 8 years with private piano instruction. After 5 years it took additional hours around the acoustic guitar to learn itself. With 16 years it joined the Punk skirt volume "emergency exit" from Mindelheim.After some concerts in the area Bavaria it left the volume and dedicated themselves electronic Music.for the establishment of "Collapse Project" should however still some years offense.To 12.11.2005 the one-man project "Collapse Project" was finally brought into being.A goal was it,fast, electronic,to compose partly also experimental music.The style should itself mainly at the EBM scene orientieren.Da it with difficulty was people from the closer environment to be found,the number of members obligatorily with a person leave-ends January 2006 the first demo Disc finished place-short time after the publication appeared an interview on the music portal "Klangdynamik.de".Das first album is nearly posed and in January 2007 in strictly limited number of items erscheinen.Collapse Project "is prospective so far on the following Samplern to represent: Extremes case of sin 4-Klandynamische movements Vol.1 (Dez.2006)
Confuse Defuser
Confuse Defuser became be right established as an experimental elecktro scheme with female chant in the year 2004. after one year more successfully works the female one is gotten out I am correct and first-once stop. After half a year, I has work it again picked up only with it on Confused Defuser, this distinguished it without is correct should be. After 3 months full-time works however, my first album "Atomelectro" was which only virtually directly ready it with me gave. In the spring 2006, I then have ready my 2 album "Apokalypse" also had give which only virtual it, however. After half a year works I could only introduce virtual System" also again my 3 album "Triggering then, however.
creating.paradise
creating.paradise came out of the in 1992 founded project sync-out in 1997 with the same team as back then bjoern honert (vocals & lyrics) and bjoern muehlnickel (sampling & programming). basically creating.paradise differs in the art of making from a lot of other bands. the foundation was made sometime around 1990 by programming sounds on early home computers.bjoern honert and bjoern muehlnickel met each other in school. influenced by bands such as pet shop boys or alien sex fiend they decided to start off with music in 1992. - under the motto "just for fun" they began and it is still up today! in 1994 the first sync-out tape came out: "uncompletes". mixed on a 486/66 pc with 8 mb ram and 540 mb hdd.in 1995 sync-out played the first gig. the equipment grew, i.e. a sampler was added.in 1996 the second sync-out tape "surf the waves" was released after bjoern honert returned from a one year school exchange the usa.in 1997 sync-out was shut down. bjoern muehlnickel used growing communities such as mp3.de and mp3.com to spread the music and to found creating.paradise only as a solo-project first.lost inside of this scenery...in 1998 the first creating.paradise album "lost inside of this scenery" was released. all in all a varied work on which bjoern honert appears as a guest-musician. loveless vocals and slow music let critics come up, but the band meant it as a stylistic cause.1999 and 2000 were lost years for reating.paradise, because of missing hardware and personal changes. though there was still time for experimenting with samples and cutting them. in the summer of 2000 bjoern muehlnickel changed all hardware synthesis modules into a personal computer which changed the sound effectively.in 2001 bjoern honert became an active member of creating.paradise and since then responsible for lyrics and vocals.thru the valley of darkness...2002: after a period of 18 months the album "thru the valley of darkness" was presented. as a guest-vocalist besides bjoern honert appeared martin drijver. it is probably the most uncommon mixture of all c.p-styles on one cd. the art design of the first edition was completely black.(sur)render inconscious...in fall 2003 creating.paradise participated in the sonic seducer - battle of the bands contest 2003/04. c.p came in on place 47, which turned out to be a severe damage. therefore c.p decided to cancel the planed cd "render inconscious".killing dreams...one year later in fall 2004 "killing dreams" was released. a professional production and a selection of 7 great tracks made it worthy a demo-cd. it came along with progressive and danceable tracks. "killing dreams" got a bunch of reviews from very different e-zines in germany and abroad. these reviews all in all were positive and provided c.p a lot of listening and clicks. therefore the first 100 copies were gone much faster as assumed.from killing dreams to the present...2005 started off with the promotion for killing dreams. following the reviews there were a whole lot of interviews for e-zines, internet radios and a local radio station, besides that c.p kept working on new material. in the afterglow of killing dreams the side-project "bitfire" was born, where all none c.p-like music was supposed to go. after a long summer-break c.p kicked off in mid november 2005 with the second participation in sonic seducer - battle of the bands contest 2005/06 with the song "problems matrix figures". finally c.p came in on place 6 voted by the readers and place 5 voted by the jury.the first part of 2006 was used to do rehearsal for the live-gig on 17th of june in the local-heroes band contest. creating.paradise ended as the runner up.with the turbulent spring behind the band made summer-holiday and hits the scene now with new material
Concept 7
Concept 7 were formed in 1999 with the aim of writing and producing a modern sounding blend of Industrial-Techno music. Their music, written and produced from their studio based in London, England, has been defined as a unique style which fuses an Industrial/Techno feel with powerful guitar lines and progressive melodies.Following the initial success of their first release ‘Downwind’, Concept 7 moved on to write and produce new tracks for their first full self financed C.D. album ‘The End Of Time Project’. This CD featured 8 powerful tracks and was described as a full on trip through a classy blend of powerful music. Covering a wide range of styles this CD was complemented in 2002 by the release of ‘The Refinery’ and ‘Downwind’ videos.in 2004 Concept 7 started work on their current new CD album release ‘The Undeniable Constant’. This new CD features 11 powerful tracks, which combine the vocal talents of Titus (ex ‘Rife’ vocalist) with the diversity, power and progression of the Concept 7 sound. Videos of several of the tracks from this new CD are currently in the production and due for release early 2006. These new videos and will be available, along with all their current C.D.’s and merchandise fConcept 7 were formed in 1999 with the aim of writing and producing a modern sounding blend of Industrial-Techno music. Their music, written and produced from their studio based in London, England, has been defined as a unique style which fuses an Industrial/Techno feel with powerful guitar lines and progressive melodies.Following the initial success of their first release ‘Downwind’, Concept 7 moved on to write and produce new tracks for their first full self financed C.D.album ‘The End Of Time Project’. This CD featured 8 powerful tracks and was described as a full on trip through a classy blend of powerful music. Covering a wide range of styles this CD was complemented in 2002 by the release of ‘The Refinery’ and ‘Downwind’ videos.In 2004 Concept 7 started work on their current new CD album release ‘The Undeniable Constant’.This new CD features 11 powerful tracks, which combine the vocal talents of Titus (ex ‘Rife’ vocalist) with the diversity, power and progression of the Concept 7 sound. Videos of several of the tracks from this new CD are currently in the production and due for release early 2006. These new videos and will be available, along with all their current C.D.’s and merchandise from their website and online shop.During the writing stage of this new C.D.Concept 7 still managed to find time to complete work on various side projects.This included producing the music score to the recently released ‘Progression DVD’s’ and ‘SEKA Videos’ along with producing remix projects for other artists including CJ Sherwood and Terminal Curve.Concept 7 are always working towards innovating new musical ideas and concepts. The power behind their style of music lies with the unique approach taken when developing their sound.Concept 7 are always working towards innovating new musical ideas and concepts. The power behind their style of music lies with the unique approach taken when developing their sound.
Cenobita
The Beginning Cenobita's history begins in 1993, in Mexico City, from the ashes of an alternative band named Nefelheim, where Claus Bita (machinery and vox) and Omar Flo (vox) met. Due to the mutual interest for electronic music the band was born.In the beginning Cenobita used extensive distorted guitars, with percusive sequences, violent rythms and melodic tunes, all set in a crossover style. The distorted, acid texture, irritating and shredding voice was the best way to describe cyberpunk themes, like our own actual scenery.Since early lyrics, Our Father William Gibson's cyberpunk concepts, precepts and knowledge, has always been the deepest influence, and his novel "Neuromancer" should always be remembered as our bible. Industrial-electro acts like Skinny Puppy, Throbbing Gristle, Front Line Assembly, Einsturzende Neubauten, Leaether Strip, Mentallo and The Fixer, :Wumpscut:, yelworC, etc have been in some way a musical influence for Cenobita.Music production started back then and the first live appearance happened in August 1994 along with also new comers Hocico. Then the clubs/venues/theatres search started. The dark electronic scene was just unexisiting back then.The first song ever recorded, "Genetica Mecanica", was offered to local label "Opcion Sonica" for an electronic compilation named "From Trance to Cyber". The CD was released in 1995, and Cenobita achieved the best comments all over.In 1996, Cernobita released their first full production: "Cybertuality", the demo tape included 6 songs: Genetica Mecanica, Valentino Muerto, Fugitivo, Constructor, Nino Atomico and Angel Desnudo. All of them with spanish lyrics, atmospheric soundscapes and complex melodies. Plenty of concerts took place, and a few interviews on radio and T.V. shows were given. The band and the premiere tape got very positive reviews, in countries like Australia or France. General acceptance and recognition established the band as one the main foundations of the mexican dark electronic scene.In that same year, Cenobita along other mexican electronic bands - Deus Ex Machina (RIP), Hocico, Kristi Artefaktum (RIP), Oxomaxoma and Soucerx (RIP) gathered and formed an association dedicated to produce, establish and promote underground electronic music in Mexico. This association was known as "Corporacion" featuring friendship and good will among all participants. Loyalty and Honor was always needed to remain as a member of "Corporacion" the Mother of All Organizations. (The association is now extinct. It served the members well while it lasted. Unfortunately collaboration had to be stopped, due to the lack of team work after personal interests grew among some bands...)By the end of this year, electronic music scene was bookmarked for ever when Cenobita played at the "Museo Universitario del Chopo" along with techno pop band Digitus Lex. Due to the great acceptance of the event, Cenobita proposed to create an annual Festival in that same venue, considered as the "Industrial Temple". So then the "Art and Electronic Music Encounter" was born (it happened on a yearly basis for four years afterwise) in February 1996, structured and supervised by Corporacion, featuring other rising bands from the electronic scene, such as Deus Ex Machina, Soucerx, Krimenia, Portent, Hocico, Dulce Liquido, etc."Visiones" was the second demo tape, released later this year. Reality is analized by the beholder of life. Once again the visions of the cenobite took place, with a prospective point of view, fed by general crisis, product of modern life, and Mexico's own reality transcript to a certain future.
"Etnia", "Ensamblaje", "Regimen", "Testigo", "Neurosis Positiva", "Escape", "94-1", "Promesa Perdida", "Anticoncepcion" and "Mythos", were the songs included in this work, again with lyrics in spanish, running along for 3720 microseconds, new horizons were showing maturity reached by Cenobita, stamping their own style, through electro aggression. Slow atmospheres, post-industrial landscapes, danceable sequences and some 150 b.p.m explotions. Electro-cyberpunk at it's best. Again great reviews were achieved worldwide. The edition of 1000 copies were sold out, practically unavailable today.During 1997 and 1998, Cenobita dedicated time to play live shows, even though some problems were met because of the lack of venues, promoters and events. Music activity was interrupted briefly, and towards the end of 1998, Cenobita started to work on the next production, and by the first quarter of 1999, recording process started for the first album. "Neo Milenio", conceived during the previous years, from terminal ideas of a dying millenium, to that new monster opening in front of us. The first production in CD format was in released in Mexico and the USA, in October 1999 thorough Mexico's independent label "Opcion Sonica". The album included 11 songs in english and spanish: "Prisionero", "Dependency", "Earth", "Cairo", "Cristo 2000", "Insurrection", "Intolerar", "Confessions", "Mensaje", "Scabious Snout" and "Gente".The songs were radical different to previous work, since the guitar has been dropped, letting distortion survive through the synthesis itself. The big release party was planned for October 23, 1999, a concert along mentors Einstürzende Neubauten was given in Mexico City.During the year 2000, a series of concerts were done in Mexico City and some other places in the country side, promoting the first album, Neo Milenio. Towards the end of the year, Cenobita was invited as headliners in Pandemonium, a festival to be held in Los Angeles, CA, USA, at famous club JC Fandango, storming the almost 1000 heads crowd. Later on the same year, Dystopian Records, invited Cenobita to the "Dystopian Views Compilation" release party in San Francisco, CA. USA, making a special guest appearance along with Flesh Field, Negative Format and God Module. The show was a complete great finale for the year.A significant evolution started in the year 2001, the first new song (Destino Final) was played live, receiving great acceptance, and was included on a Cryonica Records/Side Line compilation: Cryonica Tanz v1.0., just briefly after that, Omar Flo leaves the band because of lack of commitment and personal issues. His depatrure, expected by many people, gives Cenobita a refreshing, new and bigger change over. Claus Bita, remains as a one man project, now in charge of the voice too. The music remained unaltered, cause it was totally done, since the beginning, by him and the lyrics more than 50 percent were Bita's own inspiration. This fullfilling state of creative liberty, thrusted the music towards new horizons, new songs were starting to take form specially conceived for Claus' powerful vocal style. Cyberpunk treatment was used once again, according to Cenobita's own principles.Suddenly good news came from Europe, when german label Trisol/Matrix Cube was interested in releasing Neo Millenium in Europe. Even though the album was two years old, it was very appealing to the european audience. Receiving all kinds of great reviews all over. Achieving Album of the month, on InfraRot, germany's best on line music store. Simultaneously with the release of this album, in Europe. Cenobita heads up for a U.S. Tour, opening up shows for brazilian icons, Aghast View. Giving succesful shows in Seattle, WA., San Francisco, CA. and Los Angeles, CA.Interviews and great reviews were done. The audience was impressed with the preformance for the first time as a one man project. Later on in October, for the fourth time, Cenobita returns to Los Angeles, CA. to play in the legendary club Das Bunker, celebrating their Fifth and last Anniversary party, again the show was a complete success.Returning to Mexico, Cenobita gets into the studio to start the production of the upcoming album "Metamorfosis", and by the end of March 2002 the new album is finished, serving Claus Bita as producer and engineer, giving birth to the most ambicious work for Cenobita ever. "Metamorfosis" includes 9 songs: "On Line Trinity", "Estrellas", "Slaves", "Indiferencia", "Imperios", "Human Racing", "Destino Final (Global mix)", "Aliens" and "Nino Atomico (Uranio mix)", establishing a new style in Cenobita's song writing, melodic armonies, over pumping industrial club rythms, recycled samples transmutated to numeric codes, music for the hard dance floor with cyberpunk bilingual lyrics globalizing concepts. Metamorfosis, is pure evolution.
The release of the album in Europe is preceded by the first European Tour ever, which included the world wide famous Festival, Wave Gotik Treffen in Leipzig, Germany. Other gigs happened as well in England, Denmark, Holland, Spain and Portugal. The tour was a complete success, and it gave the audience a taster of Metamorfosis.Cenobita is conceptual revolution and transformation of ideas. Social struggle facing the starting millenium and the dramatic events dragged into life, towards a still uncertain future, but with encouraging attitude, we welcome you to this metamorphosis, a new stage, in this ever changing world, that melts in abstract thoughts, where the balance of reality is confusing and cheating, yesterday and today, interlaced and missguided into a sea of opposite options, the search for the truth, breaking concepts that shall not be broken. We are still drowning in the consequences of our own insensibility, looking for the path of right decitions. Where will we get? Will there be another stage?, Are we able to keep on living together?...transmission continues... Mexico City.
Code Machine
Code Machine started playing music as a hobby around 2000 in Paris. After having experienced 2 major computer crashes and lost most of his creations, he hasn’t given up.He moved to London in mid 2001 to improve his English and after having adapted to the English weather, decided to work more seriously so as to release an album.His first album No Time was born in 2004. This would not have been possible without the participation of Anthony Dupré (Dataraper).Code Machine’s music is a mix between EBM and synthpop, with a hint of techno. It’s the expression of true personal feelings and a reflection about our society and the world we live in.Code Machine sincerely thinks that electro music is a committed music, which should convey strongmessages.Some people consider that electronic music is easy to make. Are we any less of a musician because we use synths, drum machines, samplers and computers ? Is photography any less of an art than paiting because the machine creates the image (eventhough the human is behind the idea and the composition) ? There is no hierarchy is music. Electronic music is also a means of expression and is in no way easier to make than rock.
Celeste Noir
Horrorpop is a mixture of synthpop, wave, gothic and electro. It is also the name Celeste Noir have given to their distinctive and unique sound. In the year 2001 Celeste Noir started to create their own univers of sound. After the release of the successful CDs "Shadowland", "beware of..." and its follow-up "...the fire inside" and a lot of rockin` gigs throughout Germany,Celeste Noir have just finished the work on their new album "Dark Dancer".
Chiasm
The project began in 1997 in Detroit, MI, after college and while in grad school for molecular biology. I had always used music and art as an emotional outlet for my frustrations and with my career becoming more and more narrow in its field, I began to feel more trapped than ever. So I created my own musical project, named Chiasm, after the crossing of optic neurons in the brain that allow us to have continuous and peripheral vision. In the same way, the project allows me to maintain a full view of the world as opposed to the narrow perspectives I have encountered. I depend on it for balance to this day, and pour everything I am into the sounds I create. The music is who I am.At the age of five, I began taking piano lessons from my church organist, Mildred Benson. It was a lot more work than I'd expected at the time, but I enjoyed the rewards of practicing, mainly to be capable of playing the music I enjoyed hearing. At the time, it included honky-tonk favorites such as the Entertainer, and Maple Leaf Rag and eventually grew to include pop radio music such as Elton John and Enya.I often found myself rearranging music to fit how I thought it was best heard, or writing short melodies and recording them to cassette, then dubbing vocals over it by singing with the backup-tape in my parents' garage. It became quite a hobby and I spent many afterschool hours putting these songs together on tapes for my friends and family. Although I was quite shy at the time (and still am a bit now, too), I was talked into singing solos in church which went over quite well with the congregation.At 13, I got my first Casiotone keyboard and began experimenting more and more with song structure and sound collage. It was the first time I'd encountered MIDI, and I recall thinking that someone could really go insane with all the gadgets you could get working together.In junior high and highschool, I was active in the musical theatre groups and enjoyed performing plays and writing short scripts for our annual Vaudeville performances. A few talented friends and I got together and practiced EnVogue covers which we performed at the Vaudeville shows and community centers.My senior year of highschool, I met a group of people that owned professional audio equipment, were highly artistic, and loved to perform. It was then that a siren sounded in my head and I joined them in an experimental/industrial performance art group called Inter Animi. I spent the next few years on stage with them amongst the plaster and pyrotechnic sheet metal noise in clubs throughout southern Michigan, and it's an experience I'll never forget.While studying biopsych and molecular genetics in college, I managed to take some courses in photography, holography, and poetry which I excessively used as my creative outlet. I'm still hoping to incorporate a lot of the visual imaging techniques I've learned into my Chiasm project, perhaps in some sort of music/poetry art-film cd-rom type thing, hang on, I"ll get there.One night/morning in grad school I agreed to appear in a film entitled "Extinguish", directed by Brian Sullivan, which was a very cool grainy b&w gothic art film about suicide. It was shown at an art festival at 1515 Broadway in Detroit in the winter of 1997 and will soon be released on Outsider Filmworks, featuring a Chiasm soundtrack! Details can be found on the Outsider Filmworks website.In the fall of 1997, I spent many evenings in a local gothic coffeehouse named Ascension UK. It was a great place for writing poetry, hanging out, meeting people and listening to music and there I met Calvin P. Simmons of Dragon Tears Descending. He was looking for a keyboardist to help him in a show that October, there at Ascension and things went from there.I joined the band and later bought my first professional keyboard, the Korg Trinity. We proceeded to play shows, opening for Lycia, and later for Black Tape for a Blue Girl.After getting to know the Trinity, my musical interests became more and more electronic and eventually I left DTD and formed my own project, Electrophoretic Transfer, including sampling by Shane Terpening, currently of Trotski's Block, who stuck around for the release of our first demo, post coitum, before leaving the country.
So I continued with my own work, and my current project, Chiasm emerged. I released the first demo cd, "Embryonic", in October of 1998, and released the song "Bouncing Baby Clones" on the Detroit Electronica compilation cd, "D[elEcTROnIc}T", in the spring of 1999. I've also been privileged to participate in several improvizational performances, including the "Meglomania" performance in the spring of 1998 with members of DTD and Ickytrip.My debut album on COP International, entitled "Disorder", was released in March 2001, and has recently been featured on CBS/Paramount's Navy:NCIS as well as the PC game, VAMPIRE:The Masquerade-"Bloodlines", and is currently in its fourth pressing. A remix album with labelmate Threat Level 5 was also released in 2003. In the meantime, I have been writing new material, and touring the Midwest US, joined by guitarist/bassist B. Johnson, a.k.a. the Rev. Baldknobber.
Cyborg Attack
The Electro/EBM formation Cyborg Attack was called into being in 1995. At this time the band consisted of Tino Weidauer (Synth) and Raik Wild (Vocals). About half a year later Uwe Schimmel was integrated into the band and supported henceforth Tino as the second keys man.Although still no CD had been published, the following three years could be used intensely to collect experience on the stage. So there were near scenes in Underground clubs common concerts especialy with Terminal Choice, Cat Rapes Dog and Funker Vogt and any more. The Cybernetic War continued.Specific form accepted the musical creating of Cyborg Attack in 1998. There at this time still without label, the MCD 'Toxic' was published in own work. 'Toxic' represented a successful combination from hard electronic rhythms and some elements from the Metal-szene. Pieces like 'Kalter Stahl' and 'Cyborg Attack' were therefore already landmark for the current development of Cyborg Attack.In the end of 1998 Raik Wild left Cyborg Attack by which the musical creating was paralyzed by Tino and Uwe for some months. There lasted till the beginning of 1999 a new singer was found with Sandro Franz, the trio was complete again and the Cybernetic War was beginning again. Reality of Cybernetic Threat.1999 became to date on no Cyborg Attack a CD available piece 'Warrior' on the Black Rain Compilation Vol.1 as well as on the engines world - as well as on the Nightingale Compilation publishes. A year later one was represented with 'Bitch' also on the Black Rain Compilation II.2000 offered the opportunity again to prove own live qualities, among other things on the Wave-Gotik-Treffen. To the unfavorable circumstances of this arrangement in spite of, the band delivered a professional scene and let in the public, nevertheless, still party mood arise. The Electromania-festival taking place same year offered there already a more professional frame and again one could convince.Since beginning of 2001 Cyborg Attack was under contract with NoiTekk. Due to the more favorable situation for the label Headquarter and the associated improvement of communication between C.A and the Label C.A terminated the co-operation with NoiTekk and changed at the end of 2004 to BlackRain.Now the cybernetic threat has become a new reality. This co-operation will end in the new album Stoerf*cktor - available on May 2006.
