Ballistic Disbelief
The Band Ballistic Disbelief was founded autumn/winter 2004,as so often by drinking a glass of beer together.But maybe it was bottled beer.Were not for sure now.Besides the question of what kind of beer we had drunk,we had worked out the general Bandconcept.At this time we where for sure that we run the Project as a testrun.After the real work in the beginning of 2005,were decided that we are completing each other so perfectly in creating music and personally that we decided to leave the testrun behind. Aeon Phoenix likes to express himself kinda hard and technological in the musik. Sven on the other hand likes to use romantic Themes with spherical und emotional melodic and harmonic parts. And because the one has a fable for the kind of making Music of the other,they form an interesting mix of different styles and sounds.Sure, if you look at the style of Ballistic Disbelief and at the pure synthetic music of them, then you may think that the maintheme of them is into cyberspecific themes. But that is just one half of the truth.On the one Hand the Sci Fi Genre reflects actual problems and themes and on the other Ballistic Disbelief works up topics that are actually timeless or used to be placed in the present. For Sven and Aeon the most important things are that the ordiance has a good time listening to Ballistic Disbelief and also can discuss about sense and content of the tracks.That makes the people of the ordiance from consumers to agitators.Critic, fantasy,reflection and romantic moods are important engines to the music of Ballistic Disbelief, add beats,harmonics and melodys, taste it up with a lot of heartblood and you have the music of Ballistic Disbelief.
Boundlezz
Boundlezz come from:NRW Germany,BOUNDLEZZ Members are: ARE: Frank - (vocals & lyrics) Dirk - (synths & guitars, song composition & production) Panida - (backing & co-producer) Music styl are:Electro / Indie / Alternative From trancelike and spheric sounds towards stomping beats to catchy hooks and alternative tones; thats what Boundlezz stands for. Existing since the end of 2004, this project consists of Frank, Panida, Dirk . Every member of the band has already been active in various musical projects in their past. There turned out particular forms of interests and tastes which at least had to be put together in this one young project. So it seems like no surprise, that there are sounds to hear, which are normally not supposed by an electronic project. The harmonic and charismatic voice of Frank definitely fits to these sounds. None of the songs seems to be equal to another and all of them are touching the various fields of music.MySpace URL:http://www.myspace.com/boundlezz
BasticH
Band MembersDuncan -from Melbourne,Australia Everything Industrial electronics, ranging from darkwave to power electronics to noise to ambient. Also carrying strong influences from hip hop, techno and metal genres.MySpace URL: www.myspace.com/bastichmusic
Black Light Discipline
Black Light Discipline The electronic project Black Light Discipline was created in Kuopio Finland in 2005 by 5 members who had different kind of musical background from metal-,gothicmetal-and electronic-music.So far Black Light Discipline has released one mini-cd "Same story - Different people".Black Light Discipline is an aggressive live-band and main focus in it's music is the live shows.Black Light Discipline is currently working with new material which will be released in the beginning of 2007.
BloodMachine
Inspired by the insanity that drives a man into a murderous killing spree by repeatedly bashing thoughts of conformity into his head,forcing him to aquire the most redundant product manufacturing position and making him believe in fear as a motto of protection from actually living his life and obtaining his dreams of one day becoming more than just man,this project was created in 1996 as a solo endeavor from the frontman of the industrial metal band Fierce Culture,which is a broadened perspective of mankind being weak, living their lives on their knees and calling to a deity that does not answer; praising the technology that slowly weakens them; and being a disease or virus that is slowly devouring the planet and will one day be exterminated by means of our own, designing mankind's downfall.Support BloodMachine on The aggrivated sounds of the snowplows wreaking havok upon the pavement is inspirational and ironic in its loud, oppressive reign.Keeping the factories pulsating with greed while the envious poor strive on for a decent living.When all Mother wants is for us to all just STOP and smell the shit we are generating around us. Without this planet and the stones orbiting around it,we would not exsist. But we've turned away from any obvious deity we could have and banished ourselves from a life of true purpose and harmony only to merge with the combines, presses, and pollution-belching factories, sedating anyone with emotions and ostracizing those who feel the need to speak freely so everyone plays along and eventually will one day become cyborgs.The perfect machine coursing with the blood of the common working man. It is because of all of us this has been set into motion, the resistance and defiance of rules, the irrational response to the facist mind control.The first studio album titled 'Irrational Allegro' was set to be released July 30th, 2006, but has been put down for various reasons. {mostly financial} A whole new techno-industrial project titled "Wardance" has errupted from the ashes of these bands.Written, recorded, mixed and mastered at The Meadow St. Ghetto Mansion,
BLOOD JEWEL
Blood Jewel originated in 2006 as a “creative collective” - a combination of all our various talents in music, animation, visual style and aesthetic theory. We aim to unite those of similar thinking and artistic practice across the globe to create a new network of Global Goth out of Industrial,Electronica,EBM,post-Punk musical styles.This fifth wave of intellectual and artistic vision unites the seen and heard to assault the intellectual mind, thus breaking down old categories of performance and expression.Violence and sexuality are key to our work for they are the frontiers of human expression and understanding.Cyber-sex, fetish-sex, necro-sex, domination, pain and bdsm - these are all modes of power and art. The violence of armies, states and police is a fetish of power, the erotics of guns, bombs and missiles leads to the destruction of bodies, the inner destruction of minds, and toxic tomorrows We intend to undermine the current social ordering of these fundamental human facts through an audio-visual assault on the ideologies and structures of power.Through the gates of tomorrow is a new world of uncharted transgressions, the Age of Reason is dead.all that is left are our Dreams and Adventures... nothing is alien to us, all things are permitted, do as you will.Resistance is Futile.you have read these words.we are already in your mind...."
Detonator (Blood Jewel)
Brainclaw
began as an ongoing experiment in composing aggressive electronic music, born at Ithaca College in 1989, as an effort to coalesce several random electronic music experiments into a focused project with solid goals. Pennsylvania, USA native David Giuffre decided to begin composing polished compositions with the end result of publishing a full album of this electro-industrial music, using the large body of mostly unfocused and unfinished work he had created up to that point, from 1985 to 1988. He continued to accumulate new music gear and build what would eventually become Studio Auroviral.The result of this work was an album of music called Infrastrukture.Six more albums followed,(Painselectiv -1991, Shrieking In Standby - 1992,Sect - 1994,Treason -1996, Strange Protection -1997 and the abortive half album,Bodyhorror -1998) each building on the work of the previous one, slowly refining both recording technique and compositional structures. A few half-hearted attempts to put this music out occurred, until MP3.COM actually allowed Brainclaw to get out to the world.Things with Brainclaw went on hiatus for six years after David was recruited to write and play in the Philadelphia Goth Rock outfit, Carfax Abbey. After the band began moving in a different direction, and some major life changes happened to him, David amiably parted ways with Carfax in early 2002, to rejuvenate the Brainclaw project with a vengeance.Things really got going in earnest when best friend and now wife Tara Giuffre came on board, and began co-writing songs with David. She provided a level of accountability, quality control and new concepts that truly complimented David’s dark vision of music.As new songs began arriving on the scene, several internet radio stations began noticing the Brainclaw sound, and began lending their support. The Official Brainclaw Website was tooled up and re-designed several times. The selection of the song Downsect for the Spiderbite Studios compilation called Perverions of Industry would prove to be a far-reaching event, right into the present day. Brainclaw songs began topping electromusic charts on the internet and alternative radio stations in many parts of the world. A massive promotional push began, with CD press kits going out daily. The rest of 2002 was spent writing songs, getting press and club/radio spins and promoting at events. 2003 began with new photoshoots by Philadelphia photographer Kyle Cassidy, further modifications and upgrades to the Official Brainclaw Website and a re-uniting with old bandmates in Carfax Abbey, who approached David and Tara with the idea of fleshing out and recording songs for Carfax’s then-upcoming full-length release, Second Skin. The latter half of the year saw increased activity in the press, with many solid reviews of Brainclaw’s Promo EP CD, especially a great review in Industrial Nation magazine. They finished up the Carfax Abbey CD as the year closed, having recorded and produced six new songs, and began preparations for the release of their own full-length CD, called Insekt/Angel. As the year ended, some truly spectacular news came to light: Warner Brothers, turned on to Brainclaw music because of the Spiderbite compilation appearance of a year ago, licensed the song When The Dark Rains Come for use in the DVD release of Matrix Revolutions.The year continued in a similarly amazing fashion, as Columbia TriStar Pictures licensed When The Dark Rains Come and Insekt/Angel for use on the DVD release of the Spiderman Collector’s Edition DVD. The new Brainclaw CD was finally released to an increasingly interested electromusic community, and reviews and support began arriving from the U.K., Japan, Germany, Canada, and many other places around the world, including many places in North America. Then, the Insekt/Angel CD was picked up for distribution by Metropolis Records.2004 saw David and Tara wanting to bring a live Brainclaw show to the stage, and using the hard experience gained from his years in Carfax Abbey, David and Tara began fleshing out a stage performance set. Good friend James Sewell of Divers Lust came on-board as live hybrid kit drummer. Synthesist Lorie K of Suture Seven also joined the live Brainclaw show. The Insekt/Angel Summer 2004 tour was a great success, with a somewhat lighter schedule for the summer 2005 tour, to allow for the writing of a follow-up album to Insekt/Angel. Warner Brothers also licensed four more songs from Insekt/Angel for the Matrix DVD Box Set. Several bands remixed Brainclaw songs, and Brainclaw remixed many other bands and their own songs as well. Several more BC songs appear in independent films across the country. Lorie K. had a wonderful opportunity in early 2006 to relocate to Germany to pursue other projects, so the search began for a new live synthesist.Most recently, Brainclaw signed an excellent deal with BLC Productions. The new Brainclaw CD called Dead Monsters was released on BLC in both North America and Europe to rave reviews. New press opportunities continue to present themselves, with interviews and reviews in such publications as UK Kaleidoscope and European Side-Line magazines.Studio Auroviral, Brainclaw’s in-house recording facility, is being re-built again, this time around a brand new Quad Powermac G5. The sultry and mysterious Miss Kimberly joined up as synthesist for the live shows, and the Brainclaw Website was completely rebuilt around a totally interactive blog format. Brainclaw’s cover of “Work Hard” was selected to appear on the new Cryonica Depeche Mode Tribute CD, ‘Bright Lights,Dark Room’ in the UK.Stay tuned for further developments
Burntime
The project Burntime was already created in June 1993 within the private sector. Mastermind of the project is Detlef "Dede" Rueckert,which develops a musical preference for the Synthiepop of the 80's in earliest youth.End of the 80's begins the entrance in the direction of the EBM and the electronics Wave with volume the The Invincible Spirit, front 242 and The fair Sex, which form the musical root.In the year 1991 Dede experiences a concert of the Pforzheimer electronics Wave volume Sarazen and is inspired.The resolution to publish own Songs is born. Briefly after the Abitur and the start of teachings the first larger money for a Synthie is present,which forms to today the heart.The project Burntime is finally explained to 26.06.1993 as based.A small Homestudio is furnished, first Songs in self-direction on Tape and "published" in the closer periphery is merged. Altogether 4 Tapes in own production from 1993 to 1998, which can hardly exceed the surrounding circle of acquaintances however by missing contacts and lack of time,develop. In August 2000 the first CD-R Portrayal develops with the help of a friendly musician in its Homestudio in only few hours.This work is distributed free of charge at the beginning mainly for advertisement. With support of DJ Dave von Stuttgart-Schwarz "Perfect Intercourse" first ringing out on the tanzflaeche of the "tube" celebrates from these EP of the Song.In the December of the same yearly follows the CD-R A Flood OF Resentment,which is taken up for the first time in the Tonstudio.This takes place in only three days in the Lederfabrik lederfabrik-Studio from Marc Juettner in Enzberg with Pforzheim.Here it comes to the meeting with Katja desire, which takes over the female singing part. Katja becomes the firm component of the project.For the first time this work print and on-line magazines is presented and rezensiert there.Those predominantly positive reactions arrange to invest further work.In the year 2002 follows with Somewhere Inside, likewise with Marc Juettner produced, by the invested time the work most developed up to then.The Song "She cast the" becomes spell a further dance surface candidate.Further a dispatching takes place to different magazines and with "She cast the Spell" becomes the first Samplerbeitrag for the Sampler "solarly system: Jupiter "of the Independent magazine"Refraktor"from Dresden realizes.After Burntime was angedacht as Studioprojekt first only, takes place in September ' 02 the fire baptism on the stage Stuttgart club "universe".Further appearances will follow.2003 are already celebrated that 10 jaehrige existence with the EP [poison]. Afterwards it becomes relatively calm around Burntime, with exception of Samplerbeitraegen and twice participation with the Battle OF The of volume of the magazine "Sonic Seducer".At the beginning of of 2005 appears the Song "Theory OF Hate" for the first time on the Wave board Sampler of volume.1.A small Vorgeschmack for the next Fulltime album,which now- in 2006 -under the name "on will appear Parting".The name the name is inferred from a computer game.This fascinating name expresses a dark tendency in humans for the founder incomparably.A number of written Songtexte could originate from a diary of everyone us intimate humans. Who doesn't carry most time of its life outward a merry mask, while he through-lives inside a painful time,its completely personal "Burntime"? Contents Constructing on this feeling in the texts private like also generally valid topics are processed.The philosophy consists of taking care concealed outward before they completely take and destroy one.Main columns are here love,mourning, despair and pain.One does not torment oneself with the situations contained in the texts,with these texts the agony is processed.The sound from Burntime appears to the listener electronically and dancable. Many listeners use the designation "nostalgically".This nostalgia is intention,because that is the sound, which pleases Burntime further."Vintage" falls in connection with the sound of the equipment. Burntime attaches here no importance to the momentary conditions of the sound technology of modern devices, on the contrary it is important to bring rather the melody the originality of a sound to the interested listener. Burntime is very proud on its work,which creates it to reach with small means some.Burntime still calls itself as really "independent".The members know,what they do for their music:Songs,texts, admission,Covergestaltung, layout, graduation, duplication, selling,etc.The heart in the idea and the joy in the own music stand in the foreground.
Biocarbon 13
BioCarbon 13 is a Chicago laptop/electronic project-band influenced by Industrial, Darkwave, EBM as well as the Goth and Punk music. Feel free to browse their portal. You will find links to the project's music, cover art, banners and links to other interesting sites as well the music from the previous projects that members of BC13 were involved with.BioCarbon13 is working on their next album "Cheese Ball" as well as the Negative Impact V 1.0 compilation. Both are scheduled for release later this year.
